Lucas and Coop look at how the new season of romances and romantic comedies stack up. Is it enough to make you say, "I'll have what she's having?"
Disclaimer:The views and opinions expressed by the participants in this chatlog are not the views of Anime News Network. Spoiler Warning for discussion of the series ahead.
CONTENT WARNING: This edition of This Week in Anime features discussion of an adult title and sexual themes. Reader discretion is advised
Love Through A Prism is streaming on Netflix.
Does It Count If You Lose Your Virginity to an Android? is streaming on OceanVeil.
Everything else is streaming on Crunchyroll.
Lucas
Coop, our fantastic co-columnists did an amazing job ushering us and our readership through this season's isekai offerings! Now it's time for us to give a tempered, even-handed overview of all the romcoms airing this season!
Or we can just gush for the next couple of hours about You and I are Polar Opposites. NGL, I'd probably have as good a time doing either activity!
Coop
Lucas, I spent a couple of minutes or so going "Is Suzuki wearing Chucks?" and had my suspicions confirmed fairly quickly. The girl knows style, I'll tell you what.
But aside from a few middle-of-the-road premieres, I've been pleasantly surprised by how strong most of this season's offerings are. Polar Opposites was the first of the bunch that made me go, "Wow, we're cooking with gas here." Especially when the opening kicked down my door with copious amounts of mixed media!
The mixed media opening really helps establish the tone of the show, as I'd say one of Polar Opposites' most appealing elements is how it radiates indie art energy. The visuals of this show are super loose, with characters changing art styles or going off model for the sake of a gag or to drive the emotionality of a scene home in a way that's delightful every time. Even Suzuki wearing Chucks plays into this as, while she is a character that would totally wear Chucks, her design makes me think that the illustrator of the manga, Kōcha Agasawa, just really wanted to draw a character wearing Chucks!
Between this delightful art style and the characters knocking out their big love confession in the first episode, Polar Opposites quickly topped out my "romcom of the season" list, and maybe even my "new show of the season" list!
You'll be reading variations of this a good bit throughout the roundup, but Polar Opposites exudes a high level of confidence almost immediately. The bopping tunes, refined yet loose visuals, mixed media touches, and characters who've got a pretty solid lock on their motivations... It's all rock-solid. That confidence also bleeds into the localization, because the subtitles go above and beyond—making the viewer almost feel as if they're reading the translated sound effects in the manga itself.
And if Crunchyroll ever has a Blu-ray pressed for this, these subtitles should be on there. Might need a tweak or another pass to ensure these effects can make the jump, but this nut has long been cracked.
I wish I had more faith in this iteration of Crunchyroll to put in a modicum of extra effort to ensure the enduring quality of one of their releases, but with how sporadically sound effects and onscreen text are translated in the dub release, I wouldn't hold my breath.
You've got a point... I guess we've just got to eat our over-boiled vegetables when it comes to Crunchyroll at the moment. But speaking of eating our veggies...
You Can't Be in a Rom-Com with Your Childhood Friends! is as classic anime romcom as you can probably get. This one's got a distinctly mid-to-late aughts energy about it—from the more-dense-than-a-brick-wall protagonist to his quartet of childhood friends who very obviously want to jump his bones.
But I don't know... This doesn't seem to have the juice of your beloved 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You, Lucas.
Apologies to you, Coop, and to our editors for starting on a somewhat crass note, but did the same-face MC nut at the end of the first episode of You Can't Be in a Rom-Com with Your Childhood Friends!!?? Is that what was implied with him yelling as the two girls sat on his lap simultaneously??? Because, if so, that's a pretty forced, flaccid joke.
Can't Be In a Rom-Com is also so of the harm anime mold that I didn't even think to compare it to 100 GFs! Largely because these characters lack the immediate charm and likeability of the 100 GFs ensemble cast.
And also because the animation and art direction in Can't Be In a Rom-Com is ROUGH! I wouldn't go so far as to say that it's the worst-looking anime of the season, and I appreciate that it's going for something with its warm color palette and cozy aesthetic, but this was clearly either a bit of a rush job or the product of a more junior team at Tezuka Productions.
I might be a little more charitable to it myself, mostly because it wasn't outright terrible and okay enough as far as more middle-of-the-road fare goes. Though I agree on the jokes and writing generally being rote. After the fifth time he says the show's title out loud, I'd expect them to cut to the credits already.
And I will give it to the localization team once again for really knocking it out of the park with these subtitles. The shimmering effect on "the heavenly salvation" text in motion is a fun touch.
But more importantly, Lucas... The episode's ending strongly implies he left the room to rub one out in the bathroom after the lap fiasco.
Oh man, did bullying work? Did Crunchyroll up their subtitle game after all the outcry about their deteriorating quality last season?? I've noticed a couple of hiccups in places, but it would be amazing if they were on the mend!
And I see what you're saying about Can't Be In a Rom-Com having its charm points, but so much of this show is grounded in the kind of genre subversion that's frustrating to me that I just couldn't get into it. Maybe when I'm in a different headspace, I'll appreciate the more meta and genre-referential gags, but after watching Polar Opposites, this show, where characters aggressively do not get together, just felt frustrating to me.
Rom-Com might've worked better as an adult title now that I think about it... The tone could easily swing into a pornier direction with a few tweaks here and there, making for some trashy fun, perhaps. Which reminds me, don't we have an honest-to-god adult title on the list this season?
We did! And Does it Count if You Lose Your Virginity to an Android? proved to be far better and more topical than what I expected!
If you thought that was crass, wait till the robot girl turns on her vibrating finger functionality.
Would you believe me if I told you that's the moment that made me realize that this show was written by smut fic writers for fans of lesbian/android smut fics?
Which isn't to say that Does it Count is the best version of these ideas, but it's still cool that a narrative that feels right at home on the hornier side of Ao3 got an anime adaptation and that the good folks over at Oceanveil have made it accessible for international audiences!
I'm imagining how the pitch meeting for this one went down. Among a whiteboard filled with titles such as Buttobi CPU and other robot girl shows, a production assistant writes down Chobits only for the executive producer to cross it off and write "SHOTITS" directly below.
I did a double-take when first watching this scene, because I thought Akane's simplified face was a kind of stylized censor bar, and I swore I was watching the uncensored version of this series! Don't worry, fans of fetishistic but also oddly wholesome android lesbian erotica, everything's out there in Does it Count!
Speaking of technology bringing people together, Tune In to the Midnight Heart has a smart modern setup. A kid enrolls into an certain high school to find an old internet friend he used to chat with back in middle school. However, they used to chat over a stream, and he's got no idea who she is... In real life, that raises some stranger danger and stalker alarms, but it's how we thrust this oddly cocky dude into a pretty typical romcom situation. Like Rom-Com, this one felt quite old in its execution.
While I like the premise of Midnight Heart, the MC is far too off-putting to me to really get into the show.
When reintroduced as a high schooler, he kind of comes off as the pompous comic relief character who'd be shut up to set up the protagonist's own introduction. Similar to Mendou from Urusei Yatsura. The whole bit sort of confused me at first.
And that's such a shame, as I could definitely see this anime doing well with folks who are into ASMR, or folks who are deep enough in the anime mines to have very intense and specific opinions on waifus.
I will say, kudos for crediting the localization team on this one. Sometimes credits are absent for a variety of reasons outside of just sheer omission, so it's nice to see them pop up every once in a while. It's these folks who really make anime happen in our neck of the woods.
And speaking of Michelle Tymon, she did an amazing job localizing Tamon's B-Side, which appropriately utilizes fandom and fan-fiction language to build up the premise of every-girl Utage falling into a romantic entanglement with her pop star crush Tamon.
Tamon's B-Side hit me on so many levels... It's heartfelt, snappy, and incredibly funny. In fact, I started getting a bit misty-eyed while watching the episode. He might be a little too dependent on Utage at the moment, but Tamon's a deeply relatable character. As someone who's put myself out there publicly a time or two (be it stage acting, writing, podcasting, or running around at a con), it's hard not to end up playing an amped up version of yourself at some point. Afterward, it's easy to feel drained or deal with some impostor syndrome. I'm just some dude who writes about cartoons, but I could relate to Tamon's superstar struggles.
After dealing with that alone for so long, I'd bet it would be nice to finally have someone in your life who's genuinely (and literally in this case) your number one fan.
I completely agree with you in that Tamon's B-Side is touching on something special that everyone who has ever had to have a public-facing personality can relate to.
I'd also love to call attention to just how GOOD this anime looks! I know this is a little reductive, but in my mind and limited purview, the shojo aesthetic is tied to 90s anime visuals, and a lot of production companies have struggled to bring the strong points of that art style to digital animation. Tamon's B-Side flies in the face of that trend, and manages to look stylish, cute, impressive, and funny...sometimes all in the same scene!
I believe so much of that comes back to that air of confidence I mentioned earlier. Tamon's B-Side is totally sure of what it is and what it's trying to convey—never once dragging its feet at it leaves the starting gate. I added this one to my weekly pull list as soon as I finished the first episode, and it's still firing on all cylinders.
Similarly, Tamon and his bandmates are so effortlessly sexy without it ever feeling forced. Mr. Gloomy's a naturally attractive guy, regardless of whether he's in work mode or not.
Going into this column, I had a joke ready that compared B-Side to Bocchi the Rock!, as both feature pink-haired leading characters who struggle with anxiety while being public-facing musicians, but inviting that comparison would reduce both shows in a way that isn't fair to either. Tamon's B-Side feels like the best bet we've had in a long time for a hard shojo series to break into the wider anime sphere, and I hope that it does! There's so much charm and earnestness baked into this show that I'm confident it'll give newcomers plenty of motivation to explore the rest of the genre if they only give it a chance.
On the topic of hard shojo, let's check in on season two of Anyway, I'm Falling in Love With You.
We took a look at the first season around this time last year, and I don't have much more to report this time around. If you enjoyed the first season, the series seems to be picking right back up where it left off. Oh, and our quartet of hunks still all sport the same haircut.
I'm also disappointed to say that Anyway, I'm Falling in Love With You failed to give me much to grab onto, but thankfully, the other Romance over Comedy show of the season In the Clear Moonlit Dusk got its hooks into me!
Focusing on Yoi Takiguchi, a young woman who's attractive in a "handsome" way that proves quietly frustrating to her, the work promises to be an exploration of hetero gender norms, and I think it might be something special if it really manages to dig into all of the dimensions baked into its premise!
I agree, In the Clear Moonlit Dusk has a lot of thoughts on capital-G-gender to ponder. Yoi's clearly frustrated with how everyone has assigned her the role of "Prince," but when her ashen-haired prince shows up, she's taken off guard by someone actually treating her like a girl for once in her life.
They've all been portrayed as cisgender characters so far, but I'd be curious to see how that is commented on or changes over time. I got the vibe that all the girls around campus are dying to make these two their BL OTP, but are failing to realize the boxes they've placed people into by doing so.
I don't want to give this show too many flowers just yet, as exploring these themes can just as easily go wrong as they can right, but it's still encouraging to see a work like this come out in the midst of what feels like a globally regressive social moment. This kind of socially motivated body dysmorphia is super common, and it's cool to see that acknowledged in the media.
Similarly, I love how The Invisible Man and His Soon To Be Wife casually features a blind lead in Shizuka, and goes out of its way to depict that experience earnestly without reducing her condition to a burden. I wish there were more plot in this show to latch onto, but I'm not surprised that a work adapted from a free-to-read webcomic would be saturated with cozy-core moments.
Being set in a fantasy world also strengthens this premise. Even in a world of animal people and invisible studs, it's the measure of someone's character that matters. Though I do find the "boss dating his employee" element of this series to be a little discomforting, it has avoided those associated pitfalls so far. Fingers crossed on that one.
Also, the Lynx woman who loves churus is pretty great. All cats hunger for the tube.
If I return to The Invisible Man it will almost assuredly be because of the himbo Lynx Lady, and I promise I'll be the first to review a hypothetical spin-off focusing on her!
And, unless I'm mistaken, all that leaves for our romcom round up is Love Through a Prism! What did you think about the ONA foray from Boys Over Flowers creator Yoko Kamio?
In the past month or so, I've noticed that we've been big on that Boys Over Flowers train in these parts. In fact, I've got the DVD set from a decade back starring me right now. I've only watched the first episode so far, but when I get the time... Oh boy, am I ripping through this one. Love Through a Prism is simply gorgeous.
Like Polar Opposites, Prism is so refined yet satisfyingly loose with its animation. And honestly, it's nice to see a period drama for the first time in a long while. A Japanese art student in London goes from rivalry to romance with the hunky guy who draws in charcoal? Sign me up!
But the catch here is that Netflix dropped all 20 episodes in one go...and we know how that tends to turn out. It would've been nice if Love Through a Prism had that three or four month run to really give it room to breathe and drum up further buzz.
Having barely made a dent in this full-season release myself, I find it equally refreshing. I have been DESPERATE for anime dubs to expand beyond the usual pool of voice actors for high-profile releases like this one, and I find it's ENGLISH English VA cast immediately makes Love Through a Prism feel distinct.
If I had to voice a criticism, it would be that it's a bit talky, with characters maybe over-explaining their headspace or circumstances, but I can also see how that might make this work more approachable for younger audiences or folks less accustomed to anime; so I'm not going to push that issue too hard.
I caught the first episode in Japanese, but you've sold me on starting over with the ye olde proper English dub.
Overall, this seems to be THE SEASON for rock-solid romances. Yes, there are a few clunkers here and there, but the rest is just spectacular. On the note of romcoms specifically, I wanted to take a moment to pour one out for Rob Reiner—someone who, alongside Nora Ephron, crafted the romantic comedy Rosetta Stone.
Aside from making me tear up, this penultimate scene from When Harry Met Sally pushed me to watch the film a few years back with adult eyes. It's the greatest movie to ever do it, and I'd doubt we'd have much of the romantic comedies we love today (including all the animated ones) if it weren't for Reiner and his collaborators. A salute to you, good sir! Rest in Peace.
RIP to one of the best to ever do it, and much like Rob Reiner's work, this season is filled with titles that speak to universal human experiences rather than heteronormative power fantasies. I can't remember the last time a season of anime was stacked with this many interesting, and even challenging, romcom anime, and I hope the folks reading this take a break from keeping up with all of the spotlight-catching sequels and watch a few of them!
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