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Review

by Kevin Cormack,

An Observation Log of My Fiancée Who Calls Herself a Villainess Anime Series Review

Synopsis:
An Observation Log of My Fiancée Who Calls Herself a Villainess Anime Series Review
Young prince Cecil Glo Alphasta is ready and willing to accept whatever fiancée his family arranges for him, as long as the arranged marriage is for the betterment of his kingdom. Pragmatic and detached to a fault, the very concept of emotion is alien to him. But when he meets his fiancée, the eccentric Bertia Ibil Noches, her outlandish claim to be a “villainess” piques his interest. Gradually, he finds himself falling in love with this strange girl who seems to do everything in her power to sabotage their relationship in favor of a “heroine” he couldn't care less about…
Review:

I know, I know, it's yet another “reincarnated as an otome game villainess” anime. It seems we get at least one or two every season, so shouldn't the formula be getting stale by now? So went my thought process anyway, and I almost skipped out on this wonderful show as a result of my fatigue regarding this strange micro-genre. After the wonderful I'm in Love with the Villainess, I thought I'd experienced everything positive this story type had to offer, but I'm happy to say I was wrong, and thank you to my online friends who wouldn't shut up about how good this show was. I admit it, guys, for once, you were right.

Several aspects elevate Observation Log well above its myriad peers. For one, it's a compact story with a definitive beginning, middle, and extremely satisfying end. Yes, I'm aware there's a print sequel series to the original novel duology, but this adaptation stands alone exceptionally well on its own two sturdy narrative legs. Its second strength is in its strong primary characters, and its laser-focus on developing their motivations and personalities. Although there's a large supporting cast, they never get in the way of the main couple or their trials; the plot isn't diluted by filler or pointless digressions.

Bertia is an absolute delight, and just about the least villainous villainess in the whole genre. She tries so hard to fit the mold of a scheming, Machiavellian antagonist, but she's too sweet and kind to succeed, especially when the actual “heroine” character is horribly selfish and deluded. Pink-haired Heronia Inderon takes her heroine role so seriously that she blunders into yandere territory and seems unable to accept the difference between reality and her memories of the game she played in her previous life. Fascinatingly, both Bertia and Heronia have been iseakai-d into the world of an otome game, and both are doing their damnedest to make the world follow the proscribed plotline. Heronia reminds me a lot of Terenezza Hopkins from May I Ask for One Final Thing?, but I think this is the better show overall.

Where Heronia differs from Bertia is in her motivations. Bertia only wants what is the absolute best for her beloved prince, even at great cost to herself, as she believes he can only live a fulfilling life by breaking their engagement and marrying another woman. She's utterly selfless, willing to sacrifice her own happiness for his. Heronia, by comparison, is motivated by what she feels she is owed, and that's Prince Cecil's eternal devotion. Cecil, of course, has zero interest in this bizarre girl who declares she's his destined partner, and she becomes ever more unhinged each time he dismissively spurns her, leading to an extremely tense, dramatic public confrontation.

It's the really fun dynamic between the central trio that keeps the show bounding along so entertainingly. Bertia's easy to root for because she's so hopelessly adorable, and we can wholly understand why a prince like Cecil might find her at first amusing and then as someone to love wholeheartedly. Cecil's so cool and detached he's practically sociopathic, but Bertia awakens something in him that helps him to consider the needs of others and to grow as a person. A particularly effective later episode gives him a glimpse of what would have been in store for him had he not accepted Bertia into his heart, and the alternate world line is chilling.

Observation Log succeeds because although it's full of hilarious moments derived from the loopy character interactions, it takes its central drama and high stakes seriously. I never expected to be this emotionally invested in an otome game-adjacent plot, yet the final few episodes wrung tears from this old cynic's eyes on more than a few occasions.

Aesthetically, it's a brightly-colored and attractive show, with character designs more than a little reminiscent of those from the anime adaptation of Oshi no Ko. Prince Cecil especially reminds me of Aqua with his tortured emotional expressions and haunted eyes. Character designer Miki Matsumoto worked as animation director on Oshi no Ko's first season, so I wonder if that's related? The extended cast all conform quite tightly to established otome game tropes, color-coded hairstyles and all, but that's completely fine, considering the context.

Opening song La Fleur by Airi Miyakawa is an upbeat bop, accompanied by some super-cute visuals, and I never skipped listening to it even once. Ending theme Magic by RLOEVO is wistfully romantic and emotional, a perfect balance to the more energetic opener.

Even if you're all isekai-d or villainess-ed out, I still think it's worth giving Observation Log a chance. I've no hesitation in proclaiming it one of the very best in its genre. Surprisingly emotional, with strong characters and genuinely amusing comedy, don't miss out on Cecil and Bertia's unconventional love story.

The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
Grade:
Overall : A-
Story : A
Animation : B+
Art : B+
Music : B+

+ Absolutely adorable lead female character and effectively odious female antagonist, a fun inversion of “heroine” and “villainess” roles. Surprisingly emotional ending that takes its time and rewards the viewer's investment. Attractive visuals and good soundtrack. Often very funny.
Animation itself can be a little stiff.

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Production Info:
Director: Junichi Yamamoto
Series Composition: Akiko Inoue
Script: Akiko Inoue
Storyboard:
Romanov Higa
Fukurō Kuma
Mitsuko Ohya
Fumikazu Sato
Tomoya Takashima
Shinnosuke Tonaka
Junichi Yamamoto
Episode Director:
Takaaki Agatsuma
Ryōta Komatsu
Harume Kosaka
Taiki Nishimura
Shinnosuke Tonaka
Kenya Ueno
Junichi Yamamoto
Unit Director: Junichi Yamamoto
Music:
Yūki Hayashi
Luke Standridge
Asa Taylor
Original creator:
Shiki
Natsume Hasumi
Original Character Design: Wan Hachipisu
Character Design: Miki Matsumoto
Art Director: Junichi Higashi
Chief Animation Director:
Abe
Sang Min Lee
Yi Liu
Uni Matsui
Eri Ogawa
Animation Director:
Abe
eeqa
Kengo
LAN
Meroma
mono
Qiu
Si A
Kenshin Ariga
Si Jia Bian
Bing Bing
Liang Chen
Ling Ling Chen
Tao Yi Chen
Wei Ling Chen
Yin Ru Chen
Yue Chen
Li Ze Dong
Riko Fujimaki
Yu Dong Ge
Takahiro Gotō
Haruna Hashimoto
Ye He
Takeshi Hirayama
Kazuyuki Ikai
Hai Hua Jiang
Juan Zi Juan
Miyu Kikuchi
Rina Kitahara
Ji Kong
Lei Li
Wei Feng Li
Yang Li
Min Hui Liao
Xia Zhou Lin
Xiao Liu
Yi Liu
Rui Luo
Xiao Yi Luo
Uni Matsui
Ying Miao
Takeshi Miyamoto
M. Ali Mukhtar
Kazuo Noguchi
Yūichirō Numazawa
Quan Qi
Heng Yi Qian
Jing Yu Qian
Yi Qin
Zi Qi Rao
Takurō Sakurai
Keiko Sasaki
Da Ren Sun
Shinya Takahashi
Kiria Takashiro
Shu Qiang Tang
Jing Guo Wang
Li Wang
Yue Wang
Kang Wu
Xiang Xiao
Lan Xu
Yu Jie Xu
Ke Jian Yang
Yūya Yoneda
Hui Yun Yu
Hang Zhang
Qian Ru Zhang
Xiao Chuan Zhao
Yang Zhao
Guo Jun Zhong
Meng Zhu
Xiao Lin Zhu
Sound Director: Yukio Nagasaki
Cgi Director: Jie Ren
Director of Photography: Hideki Eto
Licensed by: Crunchyroll

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