Review

by Erica Friedman,

Though I Am an Inept Villainess Volumes 1-10 Light Novel Review

Synopsis:
Though I Am an Inept Villainess Volumes 1-10 Light Novel Review

Kou Reirin is the butterfly of the Maiden Court. Beloved by everyone, refined, graceful, and delicate, she is absolutely likely to be the next Empress. Swamp-Rat Shu Keigetsu, scorned, bullied, and unloved by even her own clan, is about to be exiled, but comes up with a plan to avoid that fate by switching bodies with Reirin. Unbeknownst to Keigetsu, Reirin is not delicate out of choice. She is deathly ill and unlikely to live long from some chronic condition that keeps her bedridden. While Keigestu burns in this new, useless body, Reirin lives a life of unexpected freedom, exiled to a corner of the court. She knows she should change back…but does she want to?

Though I Am an Inept Villainess is translated by Tara Quinn.

Review:

Let's start with the content warning: If you are chronically ill and/or disabled, you may find these novels way too real, despite the magic and silliness. Depictions of chronic illness and the emotional and physical toll it takes on a psyche are very, very realistic. When I read volume 1, I found myself in a bathroom on a plane, sobbing hysterically, trying to be quiet as my heart poured out of my eyes. Then it happened again, several volumes later. And again, although I finally learned not to read one of these novels while traveling.

Additionally, there is significant bullying of both the physical and emotional kind, especially in early volumes. As the series continues, so does the violence, and some brutal punishments for crimes real and assumed. This series covers some serious shit.

On the positive side, we have everything else.

Straight away, one of the things that caught me was the writing. Translated by Tara Quinn and edited by Jade Gardner, the writing is genuinely outstanding. I'd go as far as to say that the writing here is superior to that found in The Apothecary Diaries—if you enjoy that series, I expect you will also enjoy this one.

The second strong point of this series is the characters. In many a “character-driven” series, one or two characters drive the entire plot. Here, we meet several strong, unique characters, each of whom has their own story— stories that will be delved into as the series goes on. Once the initial conflicts are addressed, deeper, more personal issues will be surfaced. The result is that, while the Maiden's personalities do not change, their relationships most certainly do, in clever, interesting…and dare I say it…fun ways.

What you will find in the anime is the beginning of a long, complicated, and incredibly well-thought-out fantasy plot that will, at times, seem incredibly petty and small, and other times, almost too huge to make sense. No matter how complicated, the story will always, always come back to the apparently bizarre, ultimately delightful, intimate relationship between Shu Keigetsu and Kou Reirin.

There are many scenes in the opening salvo of this series that will benefit from animation. And many which don't need to be, but will be super fun or wacky on screen. But the lynchpin relationship is so strong that, in text or anime, it chews up the scenery and leaves one with a mind full of memories. Keigetsu's horror as she discovers the cost of what she's done and Reirin's joy at her new freedom are just the beginning of a complex tale woven with all five of the Maidens and the legacies of their clans. Both the male and female characters here are built out deeply. Prince Gyoumei, the Captain of his Guard, Shin-u, and the other male characters are clever and fun in their own right and enhance the story. No boring tsundere princes here. Some scenes hinge on their abilities to go along with Reirin's genuinely brilliant schemes.

This series is very much about generational trauma right through to the most recent volume, which involves the Emperor and his personal history. Everyone we meet will carry the weight of their role, their birth, the circumstances created by previous generations, and the fallout of their choices. Every book peels back a new layer of this onion, revealing a new puzzle to be solved about old crimes. Retribution and revenge are not swift at all, but take careful consideration and setup. Narrative arcs last two volumes or more, so the pieces can be put carefully into place without rushing.

And yet, despite the careful laying of pieces on the board, the traps set and sprung and the completely ridiculous “coincidences” that save the day over and over, everything here moves along briskly. In ten volumes, I have only once thought the speaker could get on with it.

Art by Kana Yuki is, for once, quite good. As is so common with light novels, the illustrations are mostly portraiture and reaction shots, but at least they actually reflect the scenes they illustrate. This is a pain point with me. Far too often, light novel illustrations barely reflect the scene and are merely a pretty drawing of a character out of context.

There are definitely some laugh-out-loud moments and some horrific scenes. And in between those are glorious sparkling moments where the Maidens rally around Reirin and Keigestu to create something beautiful.

The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
Grade:
Overall : A
Story : A
Art : B+

+ For this character-driven story, the characters are the best part. Well-written and emotionally impactful.
Significant violence. Several near-deaths and the constant strain of watching Reirin cope.

Violence, emotional and physical trauma, bullying, and harassment

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Production Info:
Story: Satsuki Nakamura
Licensed by: Seven Seas Entertainment

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Though I Am an Inept Villainess (light novel)

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